Reading Myself

My favorite chapter in my dissertation, titled “Reading with a Tender Rapture,” explores the relationship between Ik Marvel, the sentimental narrator of Reveries of a Bachelor, and his readers. I examine fan letters written to Marvel (or to Donald Grant Mitchell, the author–readers often assumed that Ik was a real person), marginal annotations in copies of the books, and reimaginings of Reveries, including by Emily Dickinson. Reveries, one the most significant bestsellers in 19th C America, moved so many readers because of what I call “detached intimacy”–readers felt profound emotional identification with Ik Marvel, but at the same time could remain a safe distance from him, as reading is associated with reverie. I rather like the term “detached intimacy” and think that it might have wider application–for instance, perhaps many of the personal relationships formed through message boards, social networking applications, virtual worlds, etc. could be considered “detached intimacy,” existing in the space of the imagination.

Since I am interested in experimenting with text analysis tools and in bringing my attention to assumptions in my own argument that I might not otherwise be aware of, I fed my article “Reading with a Tender Rapture” (an improved version of my diss chapter) into TAPOR. Here are the results (using Glasgow stop words):

Word count:

Summary: There are 3518 unique words other than those in the stop list, there are 8547 words other than those in the stop list. There are 16266 words in total including the stop words.


Words Distribution Count
mitchell 140
reveries 121
ik 108
readers 91
reading 80
letters 66
bachelor 56
book 54
marvel 50
dickinson 47
reader 44
carrie 41
intimacy 36
feeling 36
mitchell’s 35
author 33
new 33
sentimental 33
women 33
dream 29
life 28
detached 28
letter 26
press 26
heart 25
emily 25
york 24
papers 24
donald 24
fantasy 24
work 24
read 24
university 24
dreams 23
narrator 22
american 21
grant 21
real 20
writing 20
reverie 20
relationship 19
fantasies 19
domestic 19
fan 18
man 18
world 18
literature 18
distance 17
sense 16
ik’s 16
men 16
power 16
suggests 16
wrote 16
love 16
1851 15
family 15
correspondents 15
literary 15
just 15
private 15
according 14
history 14
edition 14
america 14
dreaming 14
“the 14
female 14
like 14
1852 13
nineteenth-century 13
books 13
anonymous 13
text 13
male 13
know 13
home 12
study 12
experience 12
young 12
susan 12
fans 12
away 12
father 12
bachelor’s 12
imagination 11
make 11
marvel’s 11
feelings 11
sympathy 11
social 11
ryan 11
imaginative 11
published 11
personal 11
“you” 10
dickinson’s 10
identity 10
words 10
wction 10
write 10
ideal 10
pleasure 10
culture 10
lives 10
wrst 10
ohio 10
old 9
mother 9
marriage 9
thomas 9
feb 9
audience 9
spinster 9
embraced 9
dreamer 9
copy 9
represented 9
emotional 9
form 9
woman 9
figure 8
unmarried 8
time 8
romance 8
describes 8
austin 8
responses 8
bachelorhood 8
ways 8
rhetoric 8
domesticity 8
cultural 8
enigma 8
married 8
children 8
desire 8
readers’ 8
language 8
thought 8
making 8
become 8
evidence 8
manhood 8
authors 8
control 8
critics 8
reality 8
questions 8
written 8
public 8
correspondent 8
imagined 8
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instance 7
feel 7
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snyder 7
fiction 7
otter 7
self 7
present 7
identiwcation 7
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held 7
great 7
writers 7
mary 7
use 7
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response 7
example 7
scribner’s 7
creative 7
antebellum 7
charles 7
texts 7
metaphor 7
instead 7
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vision 6
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wife 6
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age 6
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zboray 6
henry 6
barbara 6
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early 6
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oxley 6
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nell 5
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152 2
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obedience 1
formation 1
iath 1
overlooking 1
creature 1
gives 1
producer 1
collecting 1
coincidence 1
220 1
moments 1
current 1
sympathies 1
leon 1
rust 1
enabled 1
moonlit 1
produces 1
truly 1
maid” 1
shifting 1
thinker 1
[knoxville 1
critic] 1
dutiful 1
215–56 1
outrage 1
”36 1
bounds 1
did’nt 1
articulates 1
analogous 1
addresses 1
”37 1
ditty 1
discourage 1
list 1
dorothys 1
griefs 1
braver 1
unwed 1
“ike 1
tenderhearted 1
constructive 1
”38 1
disavowing 1
associations 1
“still 1
mississippi 1
claims 1
sender 1
expectation 1
comfortably 1
commodity 1
autograph 1
augosto 1
lifesome 1
separateness 1
cognitive 1
beholds 1
ben-hur” 1
labeling 1
apparently 1
tangible 1
alienation 1
recommend 1
literally 1
consumerist 1
interact 1
refuse 1
gone 1
“kept 1
“reveal 1
appropriate 1
‘boo’ 1
reed 1
impulse 1
caused 1
leisured 1
walk 1
[sentimental 1
longevity 1
genre 1
uncertainties 1
nina 1
norton 1
burn 1
meditations 1
“pleasure 1
concrete 1
“life 1
attacking 1
harshly 1
commented 1
“reveries 1
lisa 1
nurture-centered 1
preferring 1
dominant 1
overcome 1
scrutinizes 1
referring 1
ambition—and 1
pleasure” 1
266 1
“work” 1
susie—when 1
154 1
heat 1
“secularized 1
metaphorically 1
womanhood 1
bewts 1
connected 1
commoner 1
elements 1
“spinster 1
twenty-nine 1
cynical 1
carries 1
extended 1
stage 1
bloomian 1
comfortable 1
northampton 1
single-mindedness 1
“see 1
“tangible 1
recalled 1
stylistic 1
reclining 1
two-way 1
ardent 1
hidden 1
—readers 1
songs 1
years 1
returning 1
‘signiwcance’ 1
1878] 1
heal 1
2002] 1
stowe’s 1
pseud 1
physiognomy 1
berkeley 1
dreamed-of 1
urges 1
kinderhook 1
dying 1
illuminated 1
wrapped 1
curmudgeon 1
—yet 1
valentine’s 1
smoothing 1
oxley’s 1
worth 1
temporarily 1
readers” 1
”10 1
1989] 1
dwells 1
self-expression 1
railton 1
suddenly 1
contribute 1
”11 1
eat 1
play 1
controlled 1
change 1
spin 1
participate 1
“fans 1
bobbs-merrill 1
admirers 1
possibilities—the 1
pretend 1
demonstrates 1
depictions 1
heave 1
bros 1
loneliness 1
wisconsin 1
interacting 1
valid 1
”12 1
rapturous 1
knowledge 1
influential 1
53z 1
knotted 1
ps2404 1
skein 1
howells’s 1
1978] 1
helping 1
jonathan 1
efforts 1
utterance 1
sacriwce 1
thereof 1
defends 1
nicely 1
furnishes 1
dissolve—and 1
pocket 1
350 1
”15 1
urged 1
speech 1
separate 1
debased 1
necessity 1
bachelor] 1
whimsical 1
marvel” 1
puddings 1
meditative 1
effect 1
attire 1
side 1
”18 1
cummins’s 1
radiant 1
”19 1
resources 1
exchanging 1
sorrow 1
adored 1
foolishness 1
transforms 1
heard 1
renders 1
fade 1
conflicted 1
you’ 1
trim 1
honesty 1
evaluating 1
anthracite 1
dressed 1
supports 1
key 1
133 1
persistently 1
augst 1
“bachelor 1
pawns 1
gap 1
mingled 1
“foils 1
//www 1
below 1
loved 1
sung 1
sucked 1
schemes 1
man—and 1
existed 1
lover 1
enchantment 1
brothers 1
249 1
“creative 1
“read 1
tinged 1
careful 1
affections 1
—when 1
lacked 1
arranged 1
long—he 1
essence 1
quotidian 1
luring 1
laughingly 1
cloth 1
rectitude 1
delicious 1
grifwn 1
positions 1
anybody 1
glimpse 1
79 1
charged 1
guide 1
transcendence 1
afraid 1
breathed 1
acrobat 1
susie 1
restore 1
detect 1
conceive 1
uncritically 1
rethinking 1
indian 1
pressed 1
teasingly 1
shed 1
eloquently 1
recognized 1
dashes 1
random 1
economic 1
moment 1
million 1
abstracts 1
alderman 1
him- 1
annual 1
warm-working 1
equating 1
paul 1
verisimilitude 1
“relaxed 1
vintage 1
cummins 1
warmth 1
seventeenyear-old 1
labor 1
white 1
“‘have 1
answering 1
emily’s—and 1
breeds 1
bystanders 1
enjoyed 1
heart—an 1
enforce—over 1
newspaper 1
somber 1
imaginings 1
softness 1
embark 1
unwind 1
roam 1
responsibilities 1
writing—comes 1
realize 1
sold 1
gay 1
locations 1
chafed 1
you’ll 1
concurred 1
say 1
blurted 1
melancholic 1
distant 1
correspondent’s 1
reply 1
wide-ranging 1
met 1
initials 1
fashionable 1
sensual 1
unexampled 1
judge 1
style—quotation 1
charm 1
instruments 1
“disciplinary 1
mcgillqueen’s 1
ideals 1
“sweet 1
self-delusion 1
narratives 1
“somebody’s 1
satisfy 1
“serious”

Some observations:

  • variations of the word “read” are frequent of course
  • “letter” appears more than book–presumably b/c I’m writing about fan letters, but I also think the discourse of the letter–two people connecting to each other–is the mode of detached intimacy
  • terms of sentiment–intimacy, feeling, heart–appear frequently
  • there seems to be a tension between relationship (19) and distance (17), as well as between “dreams” and the “real”
  • “new” appears 33 times–reflecting the sense of renewal that comes from reading, as well as the significance of New York
  • women (33) appear more than men (16), although man (18) appears more than woman (9)–maybe I make a bigger deal out of reading producing a “new man”?
  • power, control are fairly prominent

So I think it would be pretty interesting to have a contrasts tool, so that you could see the weighting of antonyms: man/woman, dream/reality, etc. I’m also realizing how important it is to view words incontext–“new” could mean fresh, but it could also be used to modify “york”

TAPOR does allow you to list word pairs.  Here are those that appear more than once.  I find it interesting that “her own” (20) and “his own” (14) appear frequently, reflecting the desire to craft an identity (“the self,” 9) ; “i am,” 6) o outf the experience of reading. 

Summary: There are 11994 unique word pairs , and there are 16623 word pairs in total. 10213 word pairs occurred once and 1044 word pairs occurred twice.


Word Pairs Counts
of the 91
in the 63
ik marvel 46
of a 38
as a 38
and the 38
the book 35
mitchell s 35
to the 34
a bachelor 33
that the 33
their own 29
of reveries 28
with the 26
reveries of 25
that she 25
from the 25
to ik 24
new york 24
to be 23
mitchell papers 23
emily dickinson 23
detached intimacy 23
the bachelor 23
the author 22
rather than 21
donald grant 21
grant mitchell 21
by the 21
of reading 21
as the 21
her own 20
that he 20
in a 17
on the 17
the reader 16
ik s 16
university press 16
fan letters 15
is a 15
in which 15
i have 14
his own 14
for the 14
nineteenth century 14
according to 14
of his 13
even as 13
his readers 13
of feeling 13
the heart 12
bachelor s 12
in his 12
as well 12
well as 12
in her 12
of mitchell 12
marvel s 12
the letters 12
as he 11
to donald 11
edition of 11
such as 11
sense of 10
dickinson s 10
the letter 10
suggests that 10
as she 10
a man 10
that mitchell 10
of an 10
as if 10
with ik 10
reveries and 10
to mitchell 10
of her 10
it was 10
at the 10
the narrator 10
it is 9
with mitchell 9
the power 9
the text 9
and that 9
the sentimental 9
in this 9
but also 9
dream life 9
s reveries 9
of ik 9
the self 8
just as 8
with a 8
university of 8
one of 8
such a 8
power of 8
that i 8
1852 mitchell 8
study of 8
she is 8
1851 mitchell 8
history of 8
their letters 8
the world 8
as they 8
to reveries 8
was the 8
the same 8
the dream 8
as an 8
and how 8
reading and 8
a sense 8
of my 8
that is 8
not only 8
reading in 8
a book 8
in reveries 8
copy of 7
of your 7
and i 7
him to 7
it as 7
author and 7
bachelor narrator 7
marvel urbana 7
and to 7
ryan and 7
you are 7
in their 7
be a 7
is the 7
about the 7
of this 7
by a 7
the ideal 7
of their 7
of emily 7
carrie to 7
to his 7
urbana ohio 7
a sentimental 7
which the 7
focuses on 7
for instance 7
was a 7
scribner s 7
writing to 6
him and 6
with his 6
reveries in 6
century america 6
i am 6
an anonymous 6
between the 6
uncle tom 6
her father 6
so that 6
in my 6
mitchell reveries 6
for a 6
at least 6
dreams of 6
the real 6
able to 6
readers and 6
a spinster 6
book s 6
all the 6
and more 6
the mother 6
next to 6
to a 6
through the 6
we can 6
that ik 6
mitchell and 6
readers in 6
in nineteenth 6
from a 6
letters and 6
the wrst 6
a woman 6
of american 6
to make 6
a letter 6
in reading 6
to him 6
feb 1852 6
book and 6
themselves to 6
the novel 6
fantasy and 6
was not 6
that they 6
readers as 6
14 feb 6
of letters 6
they were 6
the ways 5
s cabin 5
dickinson to 5
women s 5
i had 5
in books 5
reading acts 5
the margins 5
reveries was 5
to me 5
to her 5
the narrative 5
what he 5
than a 5
to put 5
that reading 5
feeling and 5
suggesting that 5
when he 5
you and 5
introduction to 5
relationship with 5
mitchell the 5
and thomas 5
letters in 5
the history 5
wants to 5
upon the 5
letters of 5
barbara ryan 5
the relationship 5
the reverie 5
city grate 5
e c 5
the i 5
than the 5
after the 5
the reveries 5
oct 1851 5
narrator and 5
many readers 5
might be 5
tom s 5
how they 5
of detached 5
writing in 5
wanted to 5
to become 5
the 1850s 5
the cultural 5
his correspondents 5
book of 5
under the 5
distance from 5
reveries as 5
for example 5
bachelor and 5
and its 5
part of 5
his reveries 5
ik was 5
patrick henry 5
dreaming and 5
away from 5
through his 5
vision of 5
responses to 5
seems to 5
the dreams 5
of self 5
a city 5
a means 5
with her 5
do not 5
at her 5
means of 5
female readers 5
you have 5
readers were 5
themselves as 5
that a 5
that reveries 5
c w 5
american literature 5
mitchell was 4
since they 4
the correspondent 4
them and 4
sympathy with 4
as both 4
for pleasure 4
american culture 4
but the 4
reading for 4
of manhood 4
as much 4
ohio 30 4
book the 4
author as 4
to know 4
to austin 4
into the 4
wrote to 4
a solitary 4
it would 4
a fantasy 4
reprint new 4
i would 4
based on 4
insisting that 4
have you 4
as you 4
acknowledged that 4
30 oct 4
the most 4
york oxford 4
anonymous reader 4
right to 4
the second 4
wrst reverie 4
and as 4
the life 4
way that 4
distance and 4
inspired by 4
the personal 4
old maid 4
of domestic 4
while ik 4
work of 4
relationship between 4
could be 4
reveries mitchell 4
found in 4
samuel otter 4
by reading 4
mitchell in 4
into a 4
she wrote 4
authors and 4
ik and 4
their audience 4
have written 4
marvel 14 4
wrote in 4
act of 4
they are 4
him or 4
she was 4
s fans 4
the dreamer 4
ik as 4
to them 4
ability to 4
marvel the 4
the beloved 4
oxford university 4
and other 4
an old 4
desire to 4
because it 4
both the 4
on his 4
women and 4
i will 4
she would 4
she could 4
susan warner 4
reverie of 4
the work 4
by his 4
to dream 4
letters as 4
and you 4
life of 4
how and 4
rhetoric of 4
and a 4
home and 4
anonymous to 4
because he 4
could not 4
at once 4
will be 4
reader is 4
of bachelor 4
a young 4
charles scribner 4
to create 4
and his 4
she will 4
woman s 4
narrator s 4
ways in 4
attempt to 4
identiwed with 4
in america 4
reading the 4
published reviews 4
author s 4
identiwcation with 4
would be 4
ik the 4
the rhetoric 4
is not 4
the imagination 4
write to 4
much as 4
which i 4
he is 4
authority of 4
to their 4
although the 4
twenty four 4
letter to 4
1853 mitchell 4
and detachment 4
work and 4
s sons 4
to have 4
real and 4
he was 4
father and 3
sympathy and 3
a great 3
know what 3
love for 3
the conflict 3
he wants 3
of domesticity 3
privacy and 3
voice of 3
them to 3
his bachelorhood 3
of women 3
of evidence 3
through their 3
and author 3
even in 3
william dean 3
in 1886 3
how the 3
what is 3
view of 3
and donald 3
do you 3
the way 3
this passage 3
york charles 3
a love 3
and dickinson 3
mitchell as 3
ik to 3
wars are 3
experience of 3
on to 3
what if 3
whether mitchell 3
the typical 3
to describe 3
manuscript library 3
descriptions of 3
reader of 3
mitchell for 3
of sentimental 3
as his 3
own fantasies 3
one to 3
on what 3
such an 3
their reading 3
who is 3
offers a 3
readers to 3
a dreamer 3
rare book 3
comes from 3
identiwcation and 3
how he 3
represented by 3
a rhetorical 3
for private 3
marital status 3
seemed to 3
of hearts 3
her letter 3
haven yale 3
of that 3
along with 3
dec 1851 3
or her 3
public and 3
with their 3
twentieth century 3
book that 3
and have 3
heart of 3
her valentine 3
karr authors 3
peering at 3
helen davies 3
i and 3
dean howells 3
his work 3
in ik 3
readers read 3
the picture 3
s sentimental 3
of family 3
margins of 3
zboray and 3
the private 3
to see 3
time to 3
as ik 3
self control 3
him as 3
out the 3
life in 3
across the 3
ohio 12 3
back to 3
has no 3
beinecke rare 3
we will 3
book history 3
focus on 3
for carrie 3
she has 3
they used 3
and mitchell 3
laid away 3
the fan 3
approach to 3
to prompt 3
there is 3
s and 3
fiction in 3
waldo dunn 3
in order 3
return to 3
reality yet 3
that his 3
instance in 3
an important 3
actual readers 3
themselves in 3
the early 3
feeling that 3
a relationship 3
and reader 3
i you 3
read and 3
the american 3
pen name 3
these letters 3
the boundaries 3
and questioning 3
power to 3
at ik 3
intimacy and 3
persona and 3
new haven 3
manhood and 3
a mother 3
not be 3
s readers 3
o brien 3
other readers 3
the children 3
press 1988 3
the emotional 3
away in 3
that it 3
reveries that 3
questions about 3
otter and 3
description of 3
if i 3
intimacy with 3
and social 3
young woman 3
slipping knot 3
for her 3
letters readers 3
to establish 3
a reader 3
s letter 3
during the 3
touchstone for 3
family members 3
in antebellum 3
i do 3
and audiences 3
middle class 3
to reading 3
heart and 3
your books 3
this book 3
letter as 3
attempts to 3
thomas reading 3
reading reveries 3
are laid 3
insisted that 3
12 dec 3
his dream 3
in describing 3
all of 3
and why 3
your reveries 3
the end 3
early twentieth 3
middle aged 3
of authorship 3
by which 3
over the 3
see the 3
had been 3
life the 3
did you 3
letters with 3
the young 3
s spirit 3
him by 3
yet the 3
yale university 3
form of 3
them into 3
wction in 3
in contrast 3
were able 3
a vision 3
to use 3
to remain 3
easy slipping 3
he could 3
he has 3
an easy 3
you to 3
only in 3
not have 3
reader response 3
continued to 3
conflict between 3
with him 3
he had 3
four letters 3
what would 3
because they 3
2004 02 3
dream of 3
the inner 3
habit of 3
over a 3
to it 3
what a 3
become a 3
my own 3
while the 3
and creators 3
and children 3
and dream 3
own dreams 3
wife and 3
the bible 3
a real 3
susan gilbert 3
a deep 3
readers did 3
unmarried woman 3
bible it 3
the more 3
james machor 3
as readers 3
which reveries 3
the beinecke 3
relationship in 3
of love 3
figure 2 3
the tension 3
figure 1 3
his heart 3
in its 3
examine how 3
or he 3
an alternative 3
and manuscript 3
represent the 3
it or 3
of identity 3
to men 3
herself in 3
the metaphor 3
might have 3
intimacy since 3
by ik 3
saying that 3
yet i 3
reader and 3
what she 3
some of 3
for their 3
and self 3
in part 3
own reveries 3
and feeling 3
hopes of 3
a more 3
century american 3
order to 3
and mary 3
for dickinson 3
contend that 3
my wars 3
scenes of 3
end of 3
more than 3
my heart 3
letters that 3
its readers 3
you read 3
of fantasy 3
habits of 3
made in 3
the act 3
tension between 3
and writing 3
be the 3
with your 3
packet of 3
on a 3
if it 3
by reveries 3
that you 3
to write 3
her in 2
you who 2
age and 2
his or 2
book as 2
what one 2
or is 2
marvel and 2
would have 2
that marvel 2
american renaissance 2
many women 2
fitz james 2
words that 2
their fantasies 2
c 16 2
asserting their 2
wgure who 2
and susan 2
which you 2
book with 2
through a 2
as barbara 2
responses in 2
as mitchell 2
into that 2
should be 2
while three 2
in general 2
fantasy that 2
out that 2
reader can 2
they incorporated 2
james o 2
cathy davidson 2
elijah s 2
press 1999 2
sent mitchell 2
punning on 2
when mitchell 2
in writing 2
out a 2
press 1993 2
victor nell 2
a self 2
responded to 2
commentary on 2
his fans 2
domestic wction 2
susan k 2
group of 2
example the 2
ideal so 2
reveals his 2
he would 2
him into 2
of leisure 2
john todd 2
and from 2
and ashes 2
s pose 2
that literature 2
love knot 2
the title 2
a model 2
for them 2
reveries so 2
s anatomies 2
literary passions 2
all women 2
if you 2
plays with 2
and one 2
the word 2
and instead 2
the better 2
relationship as 2
reveries to 2
own desires 2
her family 2
asserts her 2
as one 2
be no 2
model of 2
relationship was 2
as women 2
a copy 2
he read 2
how actual 2
fluidity of 2
correspondents all 2
consciousness and 2
through your 2
but by 2
for literary 2
reveries s 2
i always 2
men embraced 2
she doesn 2
d mitchell 2
the literature 2
reading are 2
johns hopkins 2
and gentleness 2
to peer 2
with emily 2
dunn the 2
editions in 2
the packet 2
literature was 2
doesn t 2
05t13 49 2
preface to 2
make a 2
he made 2
a dream 2
henry s 2
to explore 2
heart which 2
j macdonald 2
out of 2
which we 2
book a 2
she read 2
yale collection 2
snyder argues 2
a middle 2
dr j 2
support her 2
harper s 2
the pure 2
have examined 2
pushed away 2
their readers 2
s ability 2
a snug 2
she also 2
a lecture 2
the rest 2
of fan 2
carrie s 2
by mitchell 2
structures of 2
not the 2
macdonald oxley 2
were so 2
represented themselves 2
to take 2
baltimore johns 2
the correspondents 2
book to 2
have the 2
more comprehensive 2
harvard university 2
to what 2
saw it 2
a little 2
least twenty 2
shaped their 2
really was 2
to justify 2
which was 2
a history 2
mary saracino 2
and amy 2
contends that 2
ik by 2
interpreters and 2
reveries from 2
them the 2
about themselves 2
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to recover 2
readers claimed 2
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by examining 2
whether ik 2
after publishing 2
uses a 2
josiah holland 2
readers wanted 2
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thus she 2
readers who 2
in history 2
questioning whether 2
life she 2
while still 2
the great 2
moved by 2
illustrated edition 2
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version of 2
seen by 2
1931 edition 2
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emerson and 2
claimed that 2
they have 2
characters mitchell 2
examination of 2
16 sept 2
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produced by 2
the audience 2
and negotiated 2
to study 2
ryan next 2
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from mitchell 2
yet in 2
experiences of 2
the example 2
to home 2
you is 2
1906 edition 2
that seemed 2
long time 2
how readers 2
modes of 2
desire for 2
dickinson marked 2
s the 2
a group 2
into and 2
were that 2
who has 2
and both 2
published the 2
could assume 2
a world 2
put on 2
have such 2
male sentimentalists 2
if she 2
didn t 2
equated with 2
he wrote 2
of what 2
remains a 2
had such 2
your eye 2
writers and 2
friend and 2
you will 2
through reading 2
bachelor or 2
which to 2
marginalia readers 2
to judge 2
nice matches 2
life as 2
k harris 2
face and 2
the home 2
in addition 2
attraction to 2
identity and 2
to another 2
because she 2
all that 2
saracino zboray 2
sentimental economy 2
study the 2
characters in 2
put into 2
value on 2
dream world 2
bachelor with 2
herself from 2
enigma to 2
other wction 2
to food 2
this sense 2
is still 2
sentimental literature 2
for my 2
private use 2
wrote reveries 2
you i 2
letters received 2
5 for 2
audience as 2
eyes at 2
chicago press 2
know that 2
the public 2
dickinson and 2
difwcult to 2
a mysterious 2
as it 2
to think 2
advanced in 2
which she 2
blithedale romance 2
the feelings 2
tender rapture 2
values of 2
author in 2
to control 2
we cannot 2
where the 2
that their 2
that for 2
to understand 2
for me 2
the united 2
incorporated the 2
self refashioning 2
can t 2
control over 2
the creative 2
ik represented 2
s are 2
53 enigma 2
kind of 2
to my 2
view them 2
in ryan 2
each other 2
have no 2
distinguish between 2
s manual 2
day world 2
dreamer and 2
the desire 2
and leisure 2
full of 2
their lives 2
reader in 2
1 home 2
own personae 2
fantasy detached 2
s heart 2
letter in 2
by feeling 2
of wre 2
wide wide 2
s style 2
identify with 2
reviewer for 2
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