My favorite chapter in my dissertation, titled “Reading with a Tender Rapture,” explores the relationship between Ik Marvel, the sentimental narrator of Reveries of a Bachelor, and his readers. I examine fan letters written to Marvel (or to Donald Grant Mitchell, the author–readers often assumed that Ik was a real person), marginal annotations in copies of the books, and reimaginings of Reveries, including by Emily Dickinson. Reveries, one the most significant bestsellers in 19th C America, moved so many readers because of what I call “detached intimacy”–readers felt profound emotional identification with Ik Marvel, but at the same time could remain a safe distance from him, as reading is associated with reverie. I rather like the term “detached intimacy” and think that it might have wider application–for instance, perhaps many of the personal relationships formed through message boards, social networking applications, virtual worlds, etc. could be considered “detached intimacy,” existing in the space of the imagination.
Since I am interested in experimenting with text analysis tools and in bringing my attention to assumptions in my own argument that I might not otherwise be aware of, I fed my article “Reading with a Tender Rapture” (an improved version of my diss chapter) into TAPOR. Here are the results (using Glasgow stop words):
Word count:
| Summary: There are 3518 unique words other than those in the stop list, there are 8547 words other than those in the stop list. There are 16266 words in total including the stop words. |
||
|---|---|---|
| Words | Distribution | Count |
| mitchell |  |
140 |
| reveries |  |
121 |
| ik |  |
108 |
| readers |  |
91 |
| reading |  |
80 |
| letters |  |
66 |
| bachelor |  |
56 |
| book |  |
54 |
| marvel |  |
50 |
| dickinson |  |
47 |
| reader | 44 | |
| carrie | 41 | |
| intimacy | 36 | |
| feeling | 36 | |
| mitchell’s | 35 | |
| author | 33 | |
| new | 33 | |
| sentimental | 33 | |
| women | 33 | |
| dream | 29 | |
| life | 28 | |
| detached | 28 | |
| letter | 26 | |
| press | 26 | |
| heart | 25 | |
| emily | 25 | |
| york | 24 | |
| papers | 24 | |
| donald | 24 | |
| fantasy | 24 | |
| work | 24 | |
| read | 24 | |
| university | 24 | |
| dreams | 23 | |
| narrator | 22 | |
| american | 21 | |
| grant | 21 | |
| real | 20 | |
| writing | 20 | |
| reverie | 20 | |
| relationship | 19 | |
| fantasies | 19 | |
| domestic | 19 | |
| fan | 18 | |
| man | 18 | |
| world | 18 | |
| literature | 18 | |
| distance | 17 | |
| sense | 16 | |
| ik’s | 16 | |
| men | 16 | |
| power | 16 | |
| suggests | 16 | |
| wrote | 16 | |
| love | 16 | |
| 1851 | 15 | |
| family | 15 | |
| correspondents | 15 | |
| literary | 15 | |
| just | 15 | |
| private | 15 | |
| according | 14 | |
| history | 14 | |
| edition | 14 | |
| america | 14 | |
| dreaming | 14 | |
| “the | 14 | |
| female | 14 | |
| like | 14 | |
| 1852 | 13 | |
| nineteenth-century | 13 | |
| books | 13 | |
| anonymous | 13 | |
| text | 13 | |
| male | 13 | |
| know | 13 | |
| home | 12 | |
| study | 12 | |
| experience | 12 | |
| young | 12 | |
| susan | 12 | |
| fans | 12 | |
| away | 12 | |
| father | 12 | |
| bachelor’s | 12 | |
| imagination | 11 | |
| make | 11 | |
| marvel’s | 11 | |
| feelings | 11 | |
| sympathy | 11 | |
| social | 11 | |
| ryan | 11 | |
| imaginative | 11 | |
| published | 11 | |
| personal | 11 | |
| “you” | 10 | |
| dickinson’s | 10 | |
| identity | 10 | |
| words | 10 | |
| wction | 10 | |
| write | 10 | |
| ideal | 10 | |
| pleasure | 10 | |
| culture | 10 | |
| lives | 10 | |
| wrst | 10 | |
| ohio | 10 | |
| old | 9 | |
| mother | 9 | |
| marriage | 9 | |
| thomas | 9 | |
| feb | 9 | |
| audience | 9 | |
| spinster | 9 | |
| embraced | 9 | |
| dreamer | 9 | |
| copy | 9 | |
| represented | 9 | |
| emotional | 9 | |
| form | 9 | |
| woman | 9 | |
| figure | 8 | |
| unmarried | 8 | |
| time | 8 | |
| romance | 8 | |
| describes | 8 | |
| austin | 8 | |
| responses | 8 | |
| bachelorhood | 8 | |
| ways | 8 | |
| rhetoric | 8 | |
| domesticity | 8 | |
| cultural | 8 | |
| enigma | 8 | |
| married | 8 | |
| children | 8 | |
| desire | 8 | |
| readers’ | 8 | |
| language | 8 | |
| thought | 8 | |
| making | 8 | |
| become | 8 | |
| evidence | 8 | |
| manhood | 8 | |
| authors | 8 | |
| control | 8 | |
| critics | 8 | |
| reality | 8 | |
| questions | 8 | |
| written | 8 | |
| public | 8 | |
| correspondent | 8 | |
| imagined | 8 | |
| 1886 | 7 | |
| “i | 7 | |
| library | 7 | |
| suggesting | 7 | |
| instance | 7 | |
| feel | 7 | |
| solitary | 7 | |
| snyder | 7 | |
| fiction | 7 | |
| otter | 7 | |
| self | 7 | |
| present | 7 | |
| identiwcation | 7 | |
| wanted | 7 | |
| different | 7 | |
| held | 7 | |
| great | 7 | |
| writers | 7 | |
| mary | 7 | |
| use | 7 | |
| “you | 7 | |
| leisure | 7 | |
| response | 7 | |
| example | 7 | |
| scribner’s | 7 | |
| creative | 7 | |
| antebellum | 7 | |
| charles | 7 | |
| texts | 7 | |
| metaphor | 7 | |
| instead | 7 | |
| focuses | 7 | |
| argues | 7 | |
| urbana | 7 | |
| vision | 6 | |
| uncle | 6 | |
| wife | 6 | |
| used | 6 | |
| particular | 6 | |
| hopes | 6 | |
| mind | 6 | |
| age | 6 | |
| 1853 | 6 | |
| audiences | 6 | |
| popular | 6 | |
| means | 6 | |
| little | 6 | |
| zboray | 6 | |
| henry | 6 | |
| barbara | 6 | |
| novels | 6 | |
| appeal | 6 | |
| early | 6 | |
| rhetorical | 6 | |
| values | 6 | |
| dec | 6 | |
| important | 6 | |
| patrick | 6 | |
| able | 6 | |
| oxley | 6 | |
| asserts | 6 | |
| understand | 6 | |
| characters | 6 | |
| “a | 6 | |
| suggest | 6 | |
| actual | 6 | |
| beautiful | 6 | |
| book’s | 6 | |
| boundaries | 6 | |
| using | 6 | |
| persona | 6 | |
| authority | 6 | |
| smallwood | 6 | |
| wnd | 6 | |
| needs | 6 | |
| ed | 6 | |
| conscious | 6 | |
| view | 6 | |
| thompson | 6 | |
| oct | 6 | |
| likewise | 6 | |
| william | 6 | |
| received | 6 | |
| inspired | 6 | |
| tom’s | 5 | |
| century | 5 | |
| ibid | 5 | |
| acknowledged | 5 | |
| imagining | 5 | |
| identiwed | 5 | |
| sent | 5 | |
| focus | 5 | |
| saw | 5 | |
| voice | 5 | |
| introduction | 5 | |
| marry | 5 | |
| uses | 5 | |
| art | 5 | |
| really | 5 | |
| connection | 5 | |
| shaped | 5 | |
| direct | 5 | |
| novel | 5 | |
| narrative | 5 | |
| melville | 5 | |
| long | 5 | |
| wants | 5 | |
| claimed | 5 | |
| future | 5 | |
| insisting | 5 | |
| perspective | 5 | |
| day | 5 | |
| wish | 5 | |
| notes | 5 | |
| compelling | 5 | |
| shared | 5 | |
| cabin | 5 | |
| possible | 5 | |
| friends | 5 | |
| image | 5 | |
| expression | 5 | |
| think | 5 | |
| james | 5 | |
| remain | 5 | |
| sensibility | 5 | |
| brings | 5 | |
| tension | 5 | |
| come | 5 | |
| mysterious | 5 | |
| nell | 5 | |
| romantic | 5 | |
| city | 5 | |
| describing | 5 | |
| beloved | 5 | |
| comments | 5 | |
| holton | 5 | |
| second | 5 | |
| brodhead | 5 | |
| editions | 5 | |
| packet | 5 | |
| reprint | 5 | |
| revised | 5 | |
| margins | 5 | |
| correspondence | 5 | |
| “by | 5 | |
| greater | 5 | |
| independence | 5 | |
| continued | 5 | |
| acts | 5 | |
| makes | 5 | |
| passage | 5 | |
| way | 5 | |
| wre | 5 | |
| true | 5 | |
| beinecke | 5 | |
| bible | 5 | |
| timon | 5 | |
| asserted | 5 | |
| virginia | 5 | |
| detachment | 5 | |
| everyday | 5 | |
| women’s | 5 | |
| deep | 5 | |
| hawthorne | 5 | |
| reviews | 5 | |
| 1850 | 5 | |
| yale | 5 | |
| set | 4 | |
| end | 4 | |
| samuel | 4 | |
| escapist | 4 | |
| past | 4 | |
| productive | 4 | |
| lecture | 4 | |
| presented | 4 | |
| address | 4 | |
| times | 4 | |
| message | 4 | |
| attention | 4 | |
| knot | 4 | |
| seen | 4 | |
| artistic | 4 | |
| truth | 4 | |
| terms | 4 | |
| dreamed | 4 | |
| moved | 4 | |
| signiwcant | 4 | |
| practices | 4 | |
| insisted | 4 | |
| became | 4 | |
| wgure | 4 | |
| model | 4 | |
| takes | 4 | |
| privacy | 4 | |
| constructed | 4 | |
| inner | 4 | |
| publishing | 4 | |
| karr | 4 | |
| authorship | 4 | |
| collection | 4 | |
| reveals | 4 | |
| close | 4 | |
| davies | 4 | |
| return | 4 | |
| cambridge | 4 | |
| spirit | 4 | |
| ultimately | 4 | |
| called | 4 | |
| conflict | 4 | |
| tone | 4 | |
| creation | 4 | |
| eyes | 4 | |
| face | 4 | |
| sons | 4 | |
| essay | 4 | |
| reviewer | 4 | |
| act | 4 | |
| author’s | 4 | |
| aunt | 4 | |
| illustrations | 4 | |
| shape | 4 | |
| annotations | 4 | |
| 1850s | 4 | |
| narrator’s | 4 | |
| took | 4 | |
| insists | 4 | |
| directly | 4 | |
| thoughts | 4 | |
| responded | 4 | |
| mode | 4 | |
| comes | 4 | |
| youth | 4 | |
| quite | 4 | |
| having | 4 | |
| mood | 4 | |
| pose | 4 | |
| create | 4 | |
| paper | 4 | |
| eye | 4 | |
| woman’s | 4 | |
| scenes | 4 | |
| manuscript | 4 | |
| richard | 4 | |
| practical | 4 | |
| fact | 4 | |
| remains | 4 | |
| ability | 4 | |
| touchstone | 4 | |
| lead | 4 | |
| elisha | 4 | |
| right | 4 | |
| single | 4 | |
| attempt | 4 | |
| experiences | 4 | |
| valentine | 4 | |
| based | 4 | |
| value | 4 | |
| brought | 4 | |
| illustrated | 4 | |
| relation | 4 | |
| poems | 4 | |
| appear | 4 | |
| examine | 4 | |
| sparked | 4 | |
| word | 4 | |
| works | 4 | |
| taste | 4 | |
| identities | 4 | |
| pen | 4 | |
| chicago | 4 | |
| society | 4 | |
| signiwcance | 4 | |
| represent | 4 | |
| approach | 4 | |
| alternative | 4 | |
| soul | 4 | |
| oxford | 4 | |
| meaning | 4 | |
| twenty-four | 4 | |
| establish | 4 | |
| “what | 4 | |
| machor | 4 | |
| [new | 4 | |
| wide | 4 | |
| assume | 4 | |
| todd | 4 | |
| behind | 3 | |
| fancies | 3 | |
| offered | 3 | |
| addressed | 3 | |
| critic | 3 | |
| slipping | 3 | |
| state | 3 | |
| calls | 3 | |
| included | 3 | |
| self-control | 3 | |
| french | 3 | |
| lived | 3 | |
| laid | 3 | |
| questioned | 3 | |
| “to | 3 | |
| elizabeth | 3 | |
| holds | 3 | |
| images | 3 | |
| shifts | 3 | |
| moving | 3 | |
| seven | 3 | |
| recover | 3 | |
| scene | 3 | |
| people | 3 | |
| central | 3 | |
| comfort | 3 | |
| imagine | 3 | |
| lose | 3 | |
| savvy | 3 | |
| professional | 3 | |
| body | 3 | |
| descriptions | 3 | |
| person | 3 | |
| conditions | 3 | |
| created | 3 | |
| step | 3 | |
| hopkins | 3 | |
| speak | 3 | |
| thrill | 3 | |
| represents | 3 | |
| dorothy | 3 | |
| potential | 3 | |
| habit | 3 | |
| contrasts | 3 | |
| challenges | 3 | |
| help | 3 | |
| happy | 3 | |
| explore | 3 | |
| 412 | 3 | |
| chapter | 3 | |
| complex | 3 | |
| sentimentalism | 3 | |
| haven | 3 | |
| bound | 3 | |
| studies | 3 | |
| objects | 3 | |
| contrast | 3 | |
| prose | 3 | |
| wondered | 3 | |
| scholarship | 3 | |
| interaction | 3 | |
| includes | 3 | |
| disciplinary | 3 | |
| excellent | 3 | |
| god | 3 | |
| moral | 3 | |
| saying | 3 | |
| promotes | 3 | |
| recommended | 3 | |
| interpretive | 3 | |
| documents | 3 | |
| consciousness | 3 | |
| large | 3 | |
| determine | 3 | |
| rare | 3 | |
| holland | 3 | |
| character | 3 | |
| compared | 3 | |
| common | 3 | |
| gilbert | 3 | |
| thinking | 3 | |
| articulated | 3 | |
| pacquet | 3 | |
| creators | 3 | |
| contends | 3 | |
| offer | 3 | |
| reflect | 3 | |
| group | 3 | |
| crucial | 3 | |
| interpretation | 3 | |
| evening | 3 | |
| apart | 3 | |
| personae | 3 | |
| offers | 3 | |
| pages | 3 | |
| members | 3 | |
| wnds | 3 | |
| marital | 3 | |
| wonder | 3 | |
| douglas | 3 | |
| davidson | 3 | |
| thank | 3 | |
| desires | 3 | |
| 1988 | 3 | |
| “i” | 3 | |
| ones | 3 | |
| david | 3 | |
| names | 3 | |
| region | 3 | |
| voyeur | 3 | |
| particularly | 3 | |
| giving | 3 | |
| articulate | 3 | |
| habits | 3 | |
| waldo | 3 | |
| sympathetic | 3 | |
| solitude | 3 | |
| exchange | 3 | |
| style | 3 | |
| voices | 3 | |
| testify | 3 | |
| interpreters | 3 | |
| constructing | 3 | |
| consider | 3 | |
| sharing | 3 | |
| john | 3 | |
| described | 3 | |
| account | 3 | |
| helen | 3 | |
| beyond | 3 | |
| hold | 3 | |
| maid | 3 | |
| sept | 3 | |
| effects | 3 | |
| conventional | 3 | |
| production | 3 | |
| peering | 3 | |
| forth | 3 | |
| functions | 3 | |
| husband | 3 | |
| 1854 | 3 | |
| magazine | 3 | |
| dear | 3 | |
| asserting | 3 | |
| rejected | 3 | |
| renaissance | 3 | |
| elijah | 3 | |
| best | 3 | |
| creating | 3 | |
| lorgnette | 3 | |
| reviewers | 3 | |
| dr | 3 | |
| suffering | 3 | |
| typical | 3 | |
| instruction | 3 | |
| dean | 3 | |
| unknown | 3 | |
| place | 3 | |
| dunn | 3 | |
| affection | 3 | |
| idealist | 3 | |
| o’brien | 3 | |
| becomes | 3 | |
| coming | 3 | |
| material | 3 | |
| advanced | 3 | |
| rivalry | 3 | |
| promoting | 3 | |
| period | 3 | |
| structures | 3 | |
| picture | 3 | |
| marked | 3 | |
| prompt | 3 | |
| katherine | 3 | |
| construct | 3 | |
| asked | 3 | |
| incorporated | 3 | |
| providing | 3 | |
| describe | 3 | |
| za | 3 | |
| examining | 3 | |
| friend | 3 | |
| house | 3 | |
| extent | 3 | |
| wars | 3 | |
| middle-aged | 3 | |
| contend | 3 | |
| easy | 3 | |
| developed | 3 | |
| support | 3 | |
| admired | 3 | |
| stimulated | 3 | |
| order | 3 | |
| project | 3 | |
| light | 3 | |
| bright | 3 | |
| typically | 3 | |
| label | 3 | |
| howells | 3 | |
| ambitions | 3 | |
| story | 3 | |
| attempts | 3 | |
| status | 3 | |
| preface | 3 | |
| expresses | 3 | |
| insight | 3 | |
| version | 3 | |
| remoteness | 3 | |
| description | 3 | |
| peer | 3 | |
| expressing | 3 | |
| emphasized | 3 | |
| living | 3 | |
| march | 3 | |
| better | 3 | |
| knew | 3 | |
| marginal | 3 | |
| grate” | 3 | |
| preserved | 3 | |
| hearts | 3 | |
| intensely | 3 | |
| musings | 3 | |
| excitement | 3 | |
| expressed | 3 | |
| 152 | 2 | |
| journal | 2 | |
| business | 2 | |
| flirt | 2 | |
| learning | 2 | |
| beneath | 2 | |
| 1922 | 2 | |
| priority | 2 | |
| timon’s | 2 | |
| relationships | 2 | |
| writes | 2 | |
| cathy | 2 | |
| mrs | 2 | |
| bertolini | 2 | |
| die | 2 | |
| autonomy | 2 | |
| drawn | 2 | |
| similar | 2 | |
| writer | 2 | |
| tabithy | 2 | |
| genius | 2 | |
| exchanges | 2 | |
| engage | 2 | |
| perspectives | 2 | |
| provides | 2 | |
| entries | 2 | |
| going | 2 | |
| creations | 2 | |
| spontaneous | 2 | |
| april | 2 | |
| fluidity | 2 | |
| playing | 2 | |
| wear | 2 | |
| astor | 2 | |
| volume | 2 | |
| dash | 2 | |
| placing | 2 | |
| vincent | 2 | |
| father’s | 2 | |
| admitted | 2 | |
| dunn’s | 2 | |
| broken | 2 | |
| ribbon | 2 | |
| objective | 2 | |
| melville’s | 2 | |
| strategy | 2 | |
| st | 2 | |
| shall | 2 | |
| relief | 2 | |
| analysis | 2 | |
| maintain | 2 | |
| wve | 2 | |
| character” | 2 | |
| identiwes | 2 | |
| ashes | 2 | |
| fig | 2 | |
| 1906 | 2 | |
| provide | 2 | |
| passions | 2 | |
| bell | 2 | |
| ithaca | 2 | |
| self-creating | 2 | |
| scribner | 2 | |
| enjoying | 2 | |
| self-fashioning | 2 | |
| produced | 2 | |
| aside | 2 | |
| transported | 2 | |
| continuing | 2 | |
| chastising | 2 | |
| warner | 2 | |
| union | 2 | |
| experiments | 2 | |
| title | 2 | |
| explains | 2 | |
| tour | 2 | |
| especially | 2 | |
| worried | 2 | |
| vacant | 2 | |
| invitation | 2 | |
| pleasant | 2 | |
| baltimore | 2 | |
| embodiment | 2 | |
| ideas | 2 | |
| assumed | 2 | |
| july | 2 | |
| illustration | 2 | |
| argue | 2 | |
| admiration | 2 | |
| critical | 2 | |
| assert | 2 | |
| tompkins | 2 | |
| bourgeois | 2 | |
| fasting | 2 | |
| intensiwed | 2 | |
| conventionally | 2 | |
| 1859 | 2 | |
| jackson | 2 | |
| distinguish | 2 | |
| textual | 2 | |
| playfully | 2 | |
| ground | 2 | |
| maintaining | 2 | |
| anatomies | 2 | |
| characterized | 2 | |
| watched | 2 | |
| mutuality | 2 | |
| belong | 2 | |
| darnton | 2 | |
| messenger | 2 | |
| higher | 2 | |
| josiah | 2 | |
| argued | 2 | |
| “home | 2 | |
| http | 2 | |
| discipline | 2 | |
| narrates | 2 | |
| reactions | 2 | |
| idea | 2 | |
| reveries’s | 2 | |
| exemplify | 2 | |
| sentimentality | 2 | |
| enclosed | 2 | |
| special | 2 | |
| 1931 | 2 | |
| producing | 2 | |
| simultaneously | 2 | |
| crafting | 2 | |
| “smoke | 2 | |
| hard | 2 | |
| increasing | 2 | |
| look | 2 | |
| spiro | 2 | |
| fans’ | 2 | |
| human | 2 | |
| hoped | 2 | |
| presumably | 2 | |
| vivid | 2 | |
| “fancy | 2 | |
| commentary | 2 | |
| pure | 2 | |
| harris | 2 | |
| determined | 2 | |
| macdonald | 2 | |
| henry’s | 2 | |
| massacre | 2 | |
| assumes | 2 | |
| earlier | 2 | |
| sway | 2 | |
| subtext | 2 | |
| aesthetics | 2 | |
| turn | 2 | |
| presumption | 2 | |
| contended | 2 | |
| reputation | 2 | |
| stimulate | 2 | |
| physical | 2 | |
| following | 2 | |
| shows | 2 | |
| deliberately | 2 | |
| pushed | 2 | |
| precisely | 2 | |
| “charles | 2 | |
| disturbed | 2 | |
| “morning | 2 | |
| enterprise | 2 | |
| appealed | 2 | |
| [the | 2 | |
| cherished | 2 | |
| criticized | 2 | |
| provided | 2 | |
| “love | 2 | |
| examined | 2 | |
| chariot | 2 | |
| 1989 | 2 | |
| spiritual | 2 | |
| “for | 2 | |
| equated | 2 | |
| passages | 2 | |
| boy | 2 | |
| 1849 | 2 | |
| sketches | 2 | |
| observer | 2 | |
| embracing | 2 | |
| 1986 | 2 | |
| good | 2 | |
| features | 2 | |
| 1985 | 2 | |
| 1984 | 2 | |
| poet | 2 | |
| associating | 2 | |
| invited | 2 | |
| inviting | 2 | |
| indecision | 2 | |
| flame | 2 | |
| punning | 2 | |
| reads | 2 | |
| near | 2 | |
| self-refashioning | 2 | |
| course | 2 | |
| nice | 2 | |
| noted | 2 | |
| “your | 2 | |
| wife’s | 2 | |
| friendship | 2 | |
| left | 2 | |
| opened | 2 | |
| challenging | 2 | |
| cornell | 2 | |
| valentines | 2 | |
| fitz-james | 2 | |
| fears | 2 | |
| try | 2 | |
| fantastic | 2 | |
| keeps | 2 | |
| ann | 2 | |
| serve | 2 | |
| gendered | 2 | |
| misty | 2 | |
| associated | 2 | |
| things | 2 | |
| imitates | 2 | |
| unlike | 2 | |
| man’s | 2 | |
| southern | 2 | |
| debate | 2 | |
| lines | 2 | |
| observed | 2 | |
| contexts | 2 | |
| marks | 2 | |
| i’m | 2 | |
| interpreter | 2 | |
| 27-05 | 2 | |
| ‘i | 2 | |
| powerful | 2 | |
| hand | 2 | |
| remember | 2 | |
| independent | 2 | |
| rapture | 2 | |
| profound | 2 | |
| carolina | 2 | |
| younger | 2 | |
| grate | 2 | |
| studying | 2 | |
| darley | 2 | |
| 1899 | 2 | |
| rest | 2 | |
| tear | 2 | |
| wne | 2 | |
| broad | 2 | |
| 250 | 2 | |
| protecting | 2 | |
| suspicion | 2 | |
| queechy | 2 | |
| fall | 2 | |
| enjoy | 2 | |
| 1897 | 2 | |
| energies | 2 | |
| mothers | 2 | |
| united | 2 | |
| enigma’s | 2 | |
| led | 2 | |
| tying | 2 | |
| maria | 2 | |
| idealized | 2 | |
| bridge | 2 | |
| strange | 2 | |
| lost | 2 | |
| position | 2 | |
| helped | 2 | |
| availability | 2 | |
| asterisks | 2 | |
| isaac | 2 | |
| amy | 2 | |
| invested | 2 | |
| measure | 2 | |
| symbols | 2 | |
| tender | 2 | |
| owned | 2 | |
| 1880s | 2 | |
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| say” | 2 | |
| share | 2 | |
| attraction | 2 | |
| addition | 2 | |
| lassrnly | 2 | |
| shaping | 2 | |
| “reveries” | 2 | |
| necessary | 2 | |
| kind | 2 | |
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| reflected | 2 | |
| bonds | 2 | |
| dewnes | 2 | |
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| selves | 2 | |
| aggie | 2 | |
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| 178 | 2 | |
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| 2 | ||
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| du | 2 | |
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| veil | 2 | |
| habbegger | 2 | |
| builds | 2 | |
| speciwc | 2 | |
| monthly | 2 | |
| matters | 2 | |
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| student’s | 2 | |
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| kindness | 2 | |
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| 1884 | 2 | |
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| johnson | 2 | |
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| henri | 2 | |
| cat | 2 | |
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| 00 | 2 | |
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| limited | 2 | |
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| dewne | 2 | |
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| competition | 2 | |
| minister | 2 | |
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| context | 2 | |
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| reveal | 2 | |
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| examination | 2 | |
| north | 2 | |
| need | 2 | |
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| christmas | 2 | |
| 2004-02-05t13 | 2 | |
| warner’s | 2 | |
| presumed | 2 | |
| understanding | 2 | |
| positing | 2 | |
| bachelors | 2 | |
| note | 2 | |
| aesthetic | 2 | |
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| modes | 2 | |
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| aware | 2 | |
| seek | 2 | |
| small | 2 | |
| “i/you” | 2 | |
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| success | 2 | |
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| marjory | 2 | |
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| illusion | 2 | |
| fervent | 2 | |
| rich | 2 | |
| statements | 2 | |
| comprehensive | 2 | |
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| enthusiastically | 2 | |
| entirely | 2 | |
| tears | 2 | |
| information | 2 | |
| sixteen | 2 | |
| touch | 2 | |
| strategies | 2 | |
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| resulted | 2 | |
| leads | 2 | |
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| “marvel” | 2 | |
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| gave | 2 | |
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| gender | 2 | |
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| child | 2 | |
| fraternity | 2 | |
| drawing | 2 | |
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| double | 2 | |
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| horses | 2 | |
| justify | 2 | |
| thirty | 2 | |
| enthusiasts | 2 | |
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| gentleman | 2 | |
| probably | 2 | |
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| “heart | 2 | |
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| laugh | 2 | |
| html | 2 | |
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| extensive | 2 | |
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| peter | 2 | |
| fascination | 2 | |
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| requires | 2 | |
| insistence | 2 | |
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| avoid | 2 | |
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| dozens | 2 | |
| markings | 2 | |
| pity | 2 | |
| activity | 2 | |
| ‘reveries | 2 | |
| popularity | 2 | |
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| birth | 2 | |
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| kindly | 2 | |
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| wilmington | 2 | |
| blithedale | 2 | |
| records | 2 | |
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| radway | 2 | |
| fantasizing | 2 | |
| inserting | 2 | |
| nature | 2 | |
| knot” | 2 | |
| daring | 2 | |
| established | 2 | |
| emotions | 2 | |
| money | 2 | |
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| captures | 2 | |
| loving | 2 | |
| martha | 2 | |
| parlor | 2 | |
| community | 2 | |
| returns | 2 | |
| sentimentalists | 2 | |
| enthusiastic | 2 | |
| acceptance | 2 | |
| circle | 2 | |
| spokesperson | 1 | |
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| angrily | 1 | |
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| primer | 1 | |
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| angeles | 1 | |
| wndings | 1 | |
| guiltless | 1 | |
| interest | 1 | |
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| resemblances | 1 | |
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| sentiment” | 1 | |
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| differently | 1 | |
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| casts | 1 | |
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| embrace | 1 | |
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| delicate | 1 | |
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| inwnitude | 1 | |
| disenchantment | 1 | |
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| joseph | 1 | |
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| relating | 1 | |
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| annoyance | 1 | |
| felix | 1 | |
| mitchell—and | 1 | |
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| matches—‘very | 1 | |
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| “scud | 1 | |
| selfhood | 1 | |
| controllable | 1 | |
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| feminist | 1 | |
| to—pshaw—what | 1 | |
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| self-disguise | 1 | |
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| obsessive | 1 | |
| contacting | 1 | |
| generously | 1 | |
| kings | 1 | |
| storm | 1 | |
| career | 1 | |
| separates | 1 | |
| prepared | 1 | |
| remained | 1 | |
| attractiveness | 1 | |
| begging | 1 | |
| interests | 1 | |
| m692 | 1 | |
| pretentiousness | 1 | |
| commended | 1 | |
| knitted | 1 | |
| concerned | 1 | |
| available | 1 | |
| artifacts | 1 | |
| heart-life | 1 | |
| type—no | 1 | |
| baker | 1 | |
| dressing | 1 | |
| how—and | 1 | |
| becket | 1 | |
| neil | 1 | |
| emphasizes | 1 | |
| 52–53 | 1 | |
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| “we | 1 | |
| ugly | 1 | |
| aggressive | 1 | |
| stone | 1 | |
| processes | 1 | |
| dedicated | 1 | |
| “[b]igotry | 1 | |
| rowing | 1 | |
| papa | 1 | |
| purpose | 1 | |
| “draw | 1 | |
| vicksburg | 1 | |
| cultures | 1 | |
| doff | 1 | |
| troubles | 1 | |
| our’s | 1 | |
| passivity | 1 | |
| possibilities | 1 | |
| authorial | 1 | |
| “lorgnette” | 1 | |
| notations | 1 | |
| retaining | 1 | |
| venture | 1 | |
| rights | 1 | |
| brown | 1 | |
| “languishing | 1 | |
| afwrming | 1 | |
| self-aware | 1 | |
| terriwed | 1 | |
| annotate | 1 | |
| ornate | 1 | |
| dream-work | 1 | |
| transformation | 1 | |
| calm | 1 | |
| 1850s—either | 1 | |
| “inherit | 1 | |
| urgings | 1 | |
| length | 1 | |
| 229–58 | 1 | |
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| partly | 1 | |
| library—why | 1 | |
| “virgin | 1 | |
| benedict | 1 | |
| pronounce | 1 | |
| walking | 1 | |
| watching | 1 | |
| reissued | 1 | |
| belle | 1 | |
| upset | 1 | |
| view—as | 1 | |
| wide-awake | 1 | |
| chief | 1 | |
| plus | 1 | |
| jewett | 1 | |
| “so | 1 | |
| excursions | 1 | |
| speaker | 1 | |
| others—a | 1 | |
| status-seeking | 1 | |
| “kind” | 1 | |
| husband’s | 1 | |
| savior | 1 | |
| reader-response | 1 | |
| ”3 | 1 | |
| coyly | 1 | |
| experimenting | 1 | |
| radical | 1 | |
| ”2 | 1 | |
| seal | 1 | |
| supervision | 1 | |
| fear | 1 | |
| victorian | 1 | |
| generic | 1 | |
| biography | 1 | |
| danger | 1 | |
| marvelish | 1 | |
| mount | 1 | |
| actively | 1 | |
| futures | 1 | |
| live | 1 | |
| heightened | 1 | |
| enhanced | 1 | |
| fourteen | 1 | |
| epistemology | 1 | |
| west | 1 | |
| depended | 1 | |
| comforts | 1 | |
| inspires | 1 | |
| polka | 1 | |
| meeting | 1 | |
| wife’ | 1 | |
| pastime | 1 | |
| “notches” | 1 | |
| sneak | 1 | |
| strongly | 1 | |
| wngers | 1 | |
| snowflake | 1 | |
| “dream | 1 | |
| frequently | 1 | |
| pulled | 1 | |
| 1850–1925 | 1 | |
| engrossed | 1 | |
| delight | 1 | |
| twine | 1 | |
| flourished | 1 | |
| lips | 1 | |
| wnally | 1 | |
| wnished | 1 | |
| iceberg | 1 | |
| patriarchal | 1 | |
| spector | 1 | |
| projected | 1 | |
| chooses | 1 | |
| xxi-xxii | 1 | |
| mentioned | 1 | |
| debt | 1 | |
| anything—but | 1 | |
| busiest | 1 | |
| 1790– | 1 | |
| yet—i | 1 | |
| leering | 1 | |
| seemingly | 1 | |
| diverse | 1 | |
| gregory | 1 | |
| working-day | 1 | |
| richly | 1 | |
| relatives | 1 | |
| meditation | 1 | |
| resistant | 1 | |
| performing | 1 | |
| wrestling | 1 | |
| sensitive | 1 | |
| winding | 1 | |
| conversation—is | 1 | |
| relaxes | 1 | |
| path | 1 | |
| acquainted | 1 | |
| “poor | 1 | |
| macintosh | 1 | |
| deliberate | 1 | |
| “writing | 1 | |
| complete | 1 | |
| discussed | 1 | |
| crossed | 1 | |
| modeled | 1 | |
| frequent | 1 | |
| counts | 1 | |
| ‘reveries’—and | 1 | |
| nichols | 1 | |
| predicted | 1 | |
| basis | 1 | |
| stopped | 1 | |
| choir | 1 | |
| elusiveness | 1 | |
| translated | 1 | |
| shakespeare | 1 | |
| ambivalent | 1 | |
| aspects | 1 | |
| generational | 1 | |
| remarkable | 1 | |
| “let | 1 | |
| amused | 1 | |
| arranged” | 1 | |
| him—or | 1 | |
| ‘chariot | 1 | |
| outside | 1 | |
| wedding | 1 | |
| integrated | 1 | |
| importance | 1 | |
| spring | 1 | |
| sacriwced | 1 | |
| inherent | 1 | |
| virtue | 1 | |
| patterns | 1 | |
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| “m” | 1 | |
| friend” | 1 | |
| frustrated | 1 | |
| product | 1 | |
| visions | 1 | |
| elide | 1 | |
| street | 1 | |
| ’—matches | 1 | |
| bride’s | 1 | |
| eat—69 | 1 | |
| forms | 1 | |
| registers | 1 | |
| reading—an | 1 | |
| formative | 1 | |
| dissociates | 1 | |
| traditional | 1 | |
| refashion | 1 | |
| develop | 1 | |
| michael | 1 | |
| sees | 1 | |
| succession | 1 | |
| replaces | 1 | |
| arthur | 1 | |
| boards | 1 | |
| indicating | 1 | |
| omit | 1 | |
| feminized | 1 | |
| paradoxically | 1 | |
| unwinding | 1 | |
| marshall | 1 | |
| convinces | 1 | |
| individual | 1 | |
| that’s | 1 | |
| trifling | 1 | |
| ‘good | 1 | |
| taps | 1 | |
| spectated | 1 | |
| superiority | 1 | |
| awake | 1 | |
| preoccupation | 1 | |
| declared | 1 | |
| online | 1 | |
| real-life | 1 | |
| produce | 1 | |
| silly | 1 | |
| rebellion | 1 | |
| borrowing | 1 | |
| bundle | 1 | |
| fancy—beyond | 1 | |
| awareness | 1 | |
| boyhood | 1 | |
| i/you | 1 | |
| “daintily | 1 | |
| meets | 1 | |
| [c | 1 | |
| senses | 1 | |
| 1974] | 1 | |
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| consciously | 1 | |
| late | 1 | |
| daylight | 1 | |
| manifest | 1 | |
| interactions | 1 | |
| commonly | 1 | |
| jennies | 1 | |
| replaced | 1 | |
| “noble” | 1 | |
| joys | 1 | |
| drops | 1 | |
| curiosity | 1 | |
| discounted | 1 | |
| merited | 1 | |
| nineteenth | 1 | |
| voiced | 1 | |
| illiterate—know | 1 | |
| reminiscences | 1 | |
| nineteen | 1 | |
| defy | 1 | |
| janice | 1 | |
| jerusalem | 1 | |
| collected | 1 | |
| pushing | 1 | |
| subverts | 1 | |
| remote | 1 | |
| praised | 1 | |
| household | 1 | |
| chamber | 1 | |
| us—or | 1 | |
| hesitations | 1 | |
| midwest | 1 | |
| term | 1 | |
| thesis | 1 | |
| renunciation | 1 | |
| recognize | 1 | |
| nathaniel | 1 | |
| so— | 1 | |
| allows | 1 | |
| disgrace | 1 | |
| “reverie” | 1 | |
| review | 1 | |
| “private | 1 | |
| goes | 1 | |
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| hopefully | 1 | |
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| 1840s | 1 | |
| heart—do | 1 | |
| gate | 1 | |
| printed | 1 | |
| original | 1 | |
| 47–70 | 1 | |
| essentialize | 1 | |
| freedom | 1 | |
| enoch | 1 | |
| laughed | 1 | |
| providential | 1 | |
| divisions | 1 | |
| shrew | 1 | |
| exploring | 1 | |
| me—dear | 1 | |
| neely | 1 | |
| liminal | 1 | |
| presuming | 1 | |
| 04 | 1 | |
| slowly | 1 | |
| “marvellous | 1 | |
| cultivated | 1 | |
| snarls—those | 1 | |
| stiff | 1 | |
| reduction | 1 | |
| contented | 1 | |
| witching | 1 | |
| ‘you’ | 1 | |
| stay—unless | 1 | |
| iconography | 1 | |
| backs | 1 | |
| refered | 1 | |
| knight” | 1 | |
| gazes | 1 | |
| hill | 1 | |
| self-awareness | 1 | |
| duty | 1 | |
| increases | 1 | |
| forwardness | 1 | |
| satirical | 1 | |
| furthermore | 1 | |
| twenties | 1 | |
| chapel | 1 | |
| practice | 1 | |
| regarded | 1 | |
| impact | 1 | |
| passes | 1 | |
| wction” | 1 | |
| actually | 1 | |
| color | 1 | |
| individualist | 1 | |
| femininity | 1 | |
| refers | 1 | |
| “seeking | 1 | |
| “‘you | 1 | |
| personally | 1 | |
| preceded | 1 | |
| declarations | 1 | |
| bias | 1 | |
| copies | 1 | |
| mary” | 1 | |
| “bad | 1 | |
| into—and | 1 | |
| communities | 1 | |
| blind | 1 | |
| “youthful | 1 | |
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| passionate | 1 | |
| drv | 1 | |
| recast | 1 | |
| [i] | 1 | |
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| retailored | 1 | |
| normative | 1 | |
| sensational | 1 | |
| decode | 1 | |
| asceticism | 1 | |
| rutgers | 1 | |
| america—among | 1 | |
| merging | 1 | |
| “daydream | 1 | |
| ’s | 1 | |
| stimulation | 1 | |
| succeed | 1 | |
| distracted | 1 | |
| tableau | 1 | |
| balance | 1 | |
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| tests | 1 | |
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| well—do | 1 | |
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| slide | 1 | |
| sacred | 1 | |
| holidays | 1 | |
| indulg[ing] | 1 | |
| recording | 1 | |
| assurance | 1 | |
| priveledge | 1 | |
| disappointment | 1 | |
| differ | 1 | |
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| references | 1 | |
| witty | 1 | |
| emphasizing | 1 | |
| narration | 1 | |
| encouraging | 1 | |
| miles | 1 | |
| commerce | 1 | |
| opera | 1 | |
| diary | 1 | |
| 1883 | 1 | |
| va | 1 | |
| striving | 1 | |
| designs | 1 | |
| yourself—bright | 1 | |
| imaginary | 1 | |
| snatched | 1 | |
| daintily | 1 | |
| piracies | 1 | |
| longer | 1 | |
| fandom | 1 | |
| proceeds | 1 | |
| hour | 1 | |
| stare | 1 | |
| commemorates | 1 | |
| house-keeping | 1 | |
| letter’s | 1 | |
| twentieth-century | 1 | |
| symbolic | 1 | |
| pertinent | 1 | |
| “fireside | 1 | |
| littell’s | 1 | |
| virtues | 1 | |
| gentle | 1 | |
| zone | 1 | |
| 850rb | 1 | |
| lap | 1 | |
| calling | 1 | |
| surface | 1 | |
| r4 | 1 | |
| 1888 | 1 | |
| glee | 1 | |
| abstraction | 1 | |
| crude | 1 | |
| disappointed | 1 | |
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| spurs | 1 | |
| reporting | 1 | |
| intellectually | 1 | |
| epitomizes | 1 | |
| hearts” | 1 | |
| skepticism | 1 | |
| volumes | 1 | |
| collaborative | 1 | |
| attractions | 1 | |
| “modern | 1 | |
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| fascinated | 1 | |
| stirred | 1 | |
| impressions | 1 | |
| marion | 1 | |
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| over—or | 1 | |
| steve | 1 | |
| pet | 1 | |
| investigate | 1 | |
| chastity | 1 | |
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| moored | 1 | |
| 218 | 1 | |
| “‘but | 1 | |
| 1860s | 1 | |
| generations | 1 | |
| 478–79 | 1 | |
| readers—appeared | 1 | |
| strangers | 1 | |
| meshes | 1 | |
| stories | 1 | |
| cover | 1 | |
| functioning | 1 | |
| works” | 1 | |
| dickens” | 1 | |
| renounce | 1 | |
| altogether | 1 | |
| busybodies—“some | 1 | |
| greetings | 1 | |
| class | 1 | |
| distancing | 1 | |
| romantically | 1 | |
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| “‘a | 1 | |
| arrangement | 1 | |
| coeur”—keepsakes | 1 | |
| cold | 1 | |
| wctions | 1 | |
| 212 | 1 | |
| —it | 1 | |
| traveling | 1 | |
| fantasizes | 1 | |
| delusional | 1 | |
| discomwting | 1 | |
| depending | 1 | |
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| feminization | 1 | |
| standard | 1 | |
| allowed | 1 | |
| clarence | 1 | |
| perusing | 1 | |
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| essayist | 1 | |
| stated | 1 | |
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